My research: UNESCO of Central Florence, by Rachael Perez


As I continue my social research, I had the opportunity to sit down with Dr. Grassellini at UNESCO of Central Florence to understand the work this organization is doing. Our discussion shed light on several misconceptions that I had prior, notably three things: their work abroad, their use of interns, and their focus on education above all else.
Situated beneath the umbrella of the Unit- ed Nations, UNESCO of Central Florence works to “put into practice what UNESCO (international) says is ideal” states Dr. Grassellini. Their purpose is contrived from UNESCO’s target outreach areas; dealing with social matters associated with education, science, culture, and communication / information. As a non-government organization (NGO), they are not considered an international entity; therefore they do not formally operate at the diplomatic level and must adhere to local laws. What is surprising to learn is how despite this organization being locally based, its work still extends beyond the city limits, reaching even as far as Cambodia.

While their UN counterpart disperses aid via the top-down approach, this agen- cy does the opposite. Using the strategy known as bottom-up, they work to create change within the people and the community, hoping the social repercussions will move upward to create change at the national and international levels. UNESCO of Central Florence works together with other NGOs, both local and abroad to tackle contemporary social issues. Dr. Grassellini explains their method is somewhat unique- an approach called Co-development; where the same social issues are simultaneously addressed in both developed and developing nations. Therefore, the goal will be the same despite the contrary societal norms, but the objectives to achieving such goals may vary. For example, take the goal of teaching subject matter that public schools do not cover; in a developing nation the method of doing so may be to teach alphabetization. In a developed nation, where students are able to recite the alphabet but do not know about the transmission of STDs, the method may consist of providing sex education classes. Admittedly, the organization can at times find it difficult to perfectly mirror the UN- ESCO ideals, mainly for two reasons: money and size. Their status as a local NGO means they do not receive funds from the Italian government to run on. The agency is financially self-sustaining off of the money they receive from either private grants, or the fundraisers that they hold. This is one of reasons why Dr. Grassellini hopes to spread the word on the work that he and his team are doing; “one dollar can make a difference”, he says. To be honest I found this reality surprising, as I like many others I suppose, heard the term UNESCO and arrived at the conclusion that they were funded via UNESCO (international). Fortunately enough, their affiliation to one of the most internationally recognized organizations in the world, has drawn together a group of young individuals sharing a dream to change the world. Although I cannot foresee the future and thus, the fate of UNESCO of Central Florence, some- thing tells me they can survive and prosper. With a staff consisting of individuals who are educated and prepared to navigate both, political and social avenues, they have an advantage.

Furthermore, I must take a moment to applaud their use of interns constructively and without reservations. Comprised of a modest staff, with four clerks and one President, the organization relies heavily on volunteers and interns alike. Particularly for young professionals looking to gain formative work experience within an agency dedicated to social justice, this may just be the place. Although it is affiliated with one of the most reputable, international organizations in the world there is no need to have reservations about being lost in the crowd, or becoming the staff secretary and making daily coffee runs. Here, interns are utilized in the most professional manner, typically over the course of six months. Through hands-on involvement with tasks such as: planning / promoting fundraisers, project development, and community outreach, they learn the expectations of working within an international NGO and will professionally evolve from, what Grassellini calls, “a 0 to 8 worker”. Moreover, if interns display a performance of good quality, they will be provided with a formal cover-letter and recommendation for their portfolio.

In fact, it is this standard of active participation from all those contributing their time which supplements the fulfillment of the organization’s mission. When you have a group of people from all walks of life, engaged in daily problem solving, it ignites a cultural exchange. Each person has a different mindset and thus, their own cultural paradigm, so the key is working together to find a mutual solution. From the inside, this is just one way that the agency works to promote cooperation and understanding between those of different cultures…a UNESCO (international) goal. External promotion consists of building community awareness through holding public events that highlight various cultures, or offering courses/lectures that explain the origins and characteristics of different cultural backgrounds.

As champions for access to education, their charge is encompassed by a UNES- CO quote: “Sometimes a teacher can save more lives than a doctor”. It comes as no surprise then that the future plans of this organization include an academic agenda, both locally and abroad. Specifically in Thailand, they are attempting to increase the amount of English being taught. In Italy, they work to continually provide instruction that the government does not have as part of the public curriculum, specifically HIV prevention, as the data reports statistics of 12 new infections each day, predominately among teens.

In a place where it seems that cultural preservation is the lifeblood of the city, I was again surprised to discover this organization’s emphasis on education. I must admit that being an entity whose title includes the word culture I was jotting down questions inquiring about the rehabilitation process of ancient, marble statues in preparation for the interview. What I found was an agency taking, what I consider, a step outside the cultural box. Their work is very modern indeed, as Dr. Grassellini informs me on my way out that UNESCO is still an up-and-comer in the Western world. Although there are nearly 100 site locations throughout Italy, they are only just beginning to grow and develop in the United States.

In a time such as this, where globalization is no longer a theory of the future but rather standing at our gate, someone who has knowledge has power. Operating within the light of education is something that UNESCO of Central Florence cannot stress enough when it comes to the agency’s work. As Dr. Grassellini says, education is the key which opens many doors and will create what he calls, “a new kind of citizen” for the world of tomorrow.

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Da bambina sognavo di fare la giornalista e studiare fisica quantistica, poi mi sono laureata in Sociologia, soffermandomi sulle differenti tipologie di leadership attraverso le illuminanti opere di William Shakespeare. Qualche idea, però, deve essere stata ben chiara sin da allora perché la giornalista è ciò che faccio e amo fare da adulta. In qualità di Direttore artistico sono stata la prima donna ad aver diretto il Tepidarium del Roster al Giardino dell’Orticoltura di Firenze, la più grande serra in stile Liberty esistente in Italia e la più piccola d’Europa, costruita nel 1859 dall’Accademia dei Georgofili. Collaboro con gallerie e accademie d’arte, scuole, associazioni, musei, università e fondazioni, prevalentemente in Italia, Cina, Stati Uniti e Russia. Nel 2011 sono tra i fondatori dell’Associazione Acontemporaryart di cui sono Presidente; curo e organizzo esposizioni di artisti italiani e stranieri a Firenze, Roma, Venezia, Parigi, etc... Dal 2013 sono Direttore responsabile del giornale Florence is You, 20.000 copie cartacee ogni bimestre, aggiornamenti quotidiani online (, impostazione bilingue italiano-inglese e partners istituzionali da tutto il mondo. Nell’ottobre 2017 sono stata eletta Accademica d’Onore all’Accademia delle Arti del Disegno di Firenze, fondata nel 1563 da Giorgio Vasari e di cui Michelangelo fu primo Accademico. Volevo una macchina da scrivere americana, non una a caso, ma la Underwood, che è poi stata un regalo, decisamente degno di nota, di un fidanzato che per questo autentico merito è ora più di un fratello. Il motto preferito? Il latino “Per aspera ad astra”, ma anche il mediceo “Festina lente” come soleva dire Lorenzo il Magnifico. Anche Seneca ha dato alla mia vita il suo prezioso contributo: “Ignoranti quem portum petat nullus suus ventus est” (Lettere a Lucilio) ovvero “Non esiste vento favorevole per il marinaio che non sa a quale porto vuol approdare”. Più di un mantra, per me. Nella sostanza l’importante è avere le idee chiare e sapere cosa si vuole, da lì è tutto in discesa o, perlomeno, avremo compiuto il primo passo. Ho da sempre una passione per l’arte, pittura, scultura e fotografia espresse anche attraverso linguaggi molto diversificati, dal figurativismo di appannaggio propriamente tradizionale fino ad un lessico più astratto, a ricerche maggiormente concettuali. Scrivo di cultura, arte, cinema e viaggi, nell’ambito luxury travel e turismo enogastronomico. Sono appassionata di musica classica e jazz, con molteplici digressioni sul tema. Mi stanno molto a cuore le tematiche relative all’infanzia e all’educazione delle bambine. Amo i viaggi, anche quelli che non ho ancora fatto, la cioccolata fondente e la mia strepitosa torta di mele, ma, se devo essere sincera fino in fondo (ed ecco la nota del fashion editor che è in me), non posso vivere senza le scarpe di Manolo Blahnik, colui che più di ogni altro ha saputo amabilmente coniugare colore, seta e tacco 12.


Growing up I always dreamt of becoming a journalist or studying quantum physics. I ended up graduating in Sociology and focused on the different kinds of leaderships through the enlightening works of William Shakespeare. However, I must have already had some level of clarity, as being a journalist is what I do and what I love doing. As artistic director, I have been the first woman to direct the Tepidarium del Roster at the Giardino dell’Orticoltura in Florence, the largest Liberty-style greenhouse in Italy and the smallest in Europe, built in 1859 by the Accademia dei Georgofili. I collaborate with art galleries and academies, schools, associations, museums, universities and foundations, mainly in Italy, China, the United States and Russia. In 2011, I was among the founders of the Acontemporaryart Association, of which I am now President; I curate and organize art shows by both Italian and foreign artists in Florence, Rome, Venice, Paris, etc. Since 2013, I am the editor-in-chief of the newspaper Florence is You, a bimonthly bilingual publication (Italian – English) with institutional partners from all over the world that counts 20.000 paper copiesper issue, as well as daily updates online ( In October 2017 I was elected Academic Honouree at the Academy of the Arts of Drawing in Florence, founded in 1563 by Giorgio Vasari, and of which Michelangelo was the first Academic. I always wanted an American typewriter, but not any ordinary one, I wanted an Underwood, which I received as a gift, greatly appreciated, from a former boyfriend, who is now more than a brother to me. My favourite motto? The Latin expression “per aspera ad astra,” but also the Medicean “Festina lente,” as said by Lorenzo the Magnificent. Seneca also gave his precious contribution to my life with his: “Ignoranti quem portum petat nullus suus ventus est” (Letters to Lucilius) or “If one does not know to which port one is sailing, no wind is favourable.” This is more than a mantra to me. Fundamentally, I believe that it’s important to have a clear mind as to what you want, then the rest is all downhill, or anyways it’s a first step. I’ve always had a passion for art, painting, sculpture and photography, expressed even through very different languages, from more traditional and figurative art to more abstract lexicons, or even conceptual researches. I write about culture, art, cinema and travel, in the fields of luxury travel and food and wine tourism. I’m passionate about classical and jazz music, with multiple digressions on the subject... Very close to my heart are issues relating to childhood and the education of little girls. I love to travel – even those trips I have yet to take – dark chocolate and my fabulous apple pie, although, if I must be entirely true (and here is the fashion editor in me), I cannot live without the shoes by Manolo Blahnik, he who more than anyone else has been able to amiably combine colour, silk and 12-inch heels.


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